Today’s producers, with their neat-arrangements, crisp sounds and perfectly mastered levels, have an obsessive perfectionism that seems to go hand in hand with laptop music production. It wasn’t until the reissue of MBV’s golden era records that I realised electronic music has gotten all… metro-sexual. Kevin Shields didn’t give a fuck if it was too messy, a bit rough round the edges, it was the overall impression that was important and Christian Fennesz embraced this concept. He embraced it all too well. Discovering Endless Summer was a great moment; it’s messy manipulation of guitar feedback, the pop-like compositions, quite obviously inherited from the Beach Boys, built on his emphasis of melody over clarity, all seemed to add up to a record I’ve been missing for a long time. Some bloody good IDM – sort of.
tl;dr: Poppy, experimental, ambient multi-layered homage to dem Beach Boys.
Made in Hong Kong: